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Altec (Western Electric)
Models 639A and 639B
multi-directional microphones

Altec (Western Electric) 639B

Listen to a Model 639B in its R, D, and C positions.

Differences in amplitude are authentic.

639A pattern selector switch

An Altec 639A with its three-position pattern selector switch.

639B pattern selector switch

An Altec 639B with its six-position pattern selector switch.

Altec (Western Electric) 639B

Altec 639B sectional view

639A and 639B Cardioid
Directional Microphones

The 639-type Microphone is a general purpose magnetic mic­rophone with directional character­istics which are selectable by means of a switch. The three basic patterns available are non-directional, figure eight, and cardioid.

The 639A and B open circuit output level is 84 dB below 1 volt/dyne/cm², 64 dB below 1 volt/10 dynes/cm².

Power Output Level
–56 dBm for a sound pressure level (SPL) of 10 dynes per square centi­meter, or –76 dBm for 1 dyne per square centi­meter when the micro­phone is terminated with a resistance equal to its internal impedance. Experience indicates that the sound pressure pro­duced at conversa­tional level three feet from a micro­phone ap­proaches 10 dynes/cm².

Frequency Range
Substantially uniform from 40 to 10,000 Hertz.
See Figure 2.

Electronics Magazine, October 1940

Signal-to-Noise Ratio
The signal for 10 dynes per square centimeter sound pressure is 78 dB above the thermal agitation noise generated within the micro­phone, and 58 dB above for 1 dyne per square centimeter.

Three patterns, C, D, and R, selectable through a three-position screwdriver-operated switch. Refer to Figure 1. At the angle of minimum response, the average dis­crimination with respect to 0° response is 20 dB over the range from 40 to 10,000 cycles per second.

Six patterns: R, D, C, 1, 2, and 3, selectable through a six-position screwdriver-operated switch. Refer to Fig­ure 1. At the angle of minimum response, the average discrimination with respect to 0° response is 20 dB over the range from 40 to 10,000 cycles per second.

Average value is 40 ohms. Intended for use with equip­ment having a rated source impedance of 25 to 50 ohms.

7½" high, 4⁷⁄₁₆" long, 3⁷⁄₁₆" wide.

3¼ pounds.

Electronics Magazine, May 1940

Description and Operation
The 639-type Microphone combines a dynamic moving coil pressure element and a ribbon velocity actuated element enclosed in a housing which serves as a protec­tive guard and as a wind screen. The outputs of these two elements are used independ­ently, or are combined in various proportions by means of a selector switch attached to the micro­phone, to yield several directional patterns. The 639A and the 639B are similar with the exception that the former has three selectable direc­tional patterns, and the latter has six selectable patterns.

Charles and Elsa

Charles and Elsa Laughton (nee Lanchester, married in 1929)

The moving coil pressure element when used alone has non-directional character­istics. The ribbon element when used alone has a figure eight pattern. The combination of the two elements results in a phasing of the output voltage causing the micro­phone to have a cardioid directional pattern. The three additional posi­tions on the 639B micro­phone are variations of the cardioid pattern, with increasing pickup from the rear as the switch is turned from position 1 to position 3. These patterns are shown in Figure 1.

From the Ellis Dawson collection

The 639-type Microphone is an excellent general pur­pose micro­phone for studio use in broadcasting and recording, and for remote broad­cast pickups where it can be given reasonable care in handling. In addition, the several directional patterns will en­hance operation of the micro­phone where audience or background noise must be con­trolled, and in public address pickups where acoustical feedback would ordinarily take place before a satisfactory reinforcement level could be reached. (Fig­ure 1 shows the angle, in respect to 0°, of minimum pick­up, and is useful for orienting the micro­phone to dis­criminate against unwanted acoustical feedback and reverbera­tion.) It is particularly suitable for multi-micro­phone pickups of a large orchestra group where a sense of realism and an apparent increase of volume level is desired. This is accomplished by utilizing one 639-type micro­phone as a non-directional (position D) micro­phone for general orchestra pickup and several 639-type micro­phones (positions R, C, 1, 2 or 3) as accent micro­phones for soloists and individual groups of the orchestra which the operator may want accentuated.

1938 ad

From ELECTRONICS, November 1938.

The general mic will provide the necessary reverbera­tion which is desirable for realism, and the accent mics will permit the individual groups to be accented for special musical effects. Skillful operation of the mixing of the various micro­phones will permit the operator to control, over a considerable range, the liveness of the pickup.

Altec (Western Electric) 639B

Designed by the Bell Telephone Laboratories and origi­nally manu­factured by the Western Electric Company, the Altec 639A and 639B Multi-Pattern Cardioid micro­phones have, for years, enjoyed an unprecedented accep­tance by all phases of the audio industry. Indeed, it may be stated that the majority of all wide-range sound recording—from its initial appearance on motion picture sound­tracks to the present achievement of magnetic tape—has employed one or more Altec 639 mics in vir­tually all phases of production. The immediate selection of pickup patterns provides the professional engineer with as many as six varying directional char­acteristics; the built-in two-stage windscreen, rugged pro­tective housing, and numerous attachment and mounting accessories make the Altec 639 ideal for any application.

Stock connector

The factory-provided Type 442 connector.

Modified connector

Someone has modified this mic to accept the Type XLR connector.

Unlike competitive units which employ only a single rib­bon and which vary the directional pattern by mechano-acoustic means, the Altec 639 is actually two indepen­dent transducer elements within a single housing. The electrical signals from these elements (one, a dynamic moving-coil; the other, a velocity-sensitive ribbon) are used singly or in combination to produce the different pickup patterns at the top of the page. Because no mechanical means are used, the Altec 639 provides increased durability, performance quality, and trouble-free operation—yet the 639’s versatility of ap­plication meets or exceeds that of other multi-pattern units currently available.

Altec 639B Polar patterns

Figure 1

Both the 639A and 639B provide the broadcast, record­ing, and public address engineer with performance of professional stand­ards; the difference between the two models is found only in the amount of readily-selected pickup patterns. The 639A provides the three most widely used character­istics of cardioid, bi-directional, and omni-directional pickup; the 639B furnishes three additional directional character­istics, each having full frontal sensitivity, but with varying degrees of rear sensitivity. These additional front-to-back ratios make the Altec 639B an outstanding choice for appli­cations wherein two distinct sound sources, having equal inten­sities, must be handled with utmost clarity and separa­tion (e.g., on stage versus audience pickup; domi­nant speech versus a more quiet manner of speaking, on each side of the microphone).

Altec (Western Electric) 639B

Each directional pattern of the 639A and 639B micro­phones may be easily selected with a screwdriver or similar tool, in accordance with the indicator marks on the rear of the micro­phone housing.

Altec 639B frequency response

Figure 2

Low output impedance (30/50 ohms) permits the use of 639 mics at a great distance from the associated ampli­fying equipment without danger of increased noise, hum pickup, or de­terioration in the quality of the transmitted signal. Each 639 mic is supplied with a zippered bag which covers and protects it when not in use.

Text and illustrations above are from Western Electric 639A and 639B
Cardioid Directional micro­phones Instruction Bulletin No. 1168, Issue 1.

Additional material was thoughtfully provided by Daniel L. Strong

639A transmitter attachment

From the Altec Lansing Corporation, Hollywood, March 21, 1950

Photo courtesy of Robtram

Photo courtesy of Robert Ramirez

Buddy Holly

Buddy Holly

Frankie Laine

Frankie Laine, New York, N.Y., between 1946 and 1948

For those of us who use the old Western Electric mics, it can be a chal­lenge finding a cable to fit. Below are three images of an adapter that converts these mics for use with an XLR-equipped cable. This adapter works with STC mics as well as with Coles Electroacoustics mics. These adapters are not available at this web site.

A few vendors offer this 4069 XLR adapter on the Web.
A web search for coles 4069 xlr adapter will bring up
several merchants. No compensation is received
by me for providing you with this information.


These convert the old WE, Coles, and STC connector to XLR.


A contemporary XLR-equipped cable can then be used.

Voice of America Altec 639
Dick Ravenhill

Dick Ravenhill during the 1960s at WDBO in Florida

From the Western Historic Radio Museum: The 639A was in­troduced in 1938 and provided broad­casters with a micro­phone that could be set to various direc­tional patterns while maintaining high quality performance. Using a velocity ribbon micro­phone in com­bination with a dynamic pressure micro­phone, the 639A offered three select­able patterns. “R” pro­vided a “figure eight” pattern by utilizing just the velocity micro­phone. “D” selected just the pres­sure micro­phone for a non-direc­tional pattern. “C” provided a cardioid pattern by com­bining the two micro­phones in series. The selector switch is located on the back of the 639A housing. Frequency re­sponse in any setting was 40 Hz to 10 KHz. An internal trans­former provided amplifica­tion and impedance matching for the velocity ribbon section. Western Electric also built a “B” version with six selectable pattern settings. In 1949, Altec began pro­ducing the 639 series with the ALTEC name on its models. The 639A/B was nick­named the “Birdcage” micro­phone. This par­ticular WE639A (seen below) was used at the San Francisco short­wave station KGEI (General Electric Inter­national), famous as a broad­cast relay station to the Pacific during World War II.

Altec (Western Electric) 639A

Western Electric "angel" logo

Altec (Western Electric) 639B

Copyright © 2005 by Sean Brady.
Used here with permission.
Not for other publication, distribution, nor resale.

Altec (Western Electric) 639B

Copyright © 2005 by Sean Brady.
Used here with permission.
Not for other publication, distribution, nor resale.

Billy Eckstine with Hugo Winterhalter

Hugo Winterhalter confers with Billy Eckstine during a recording session.

Lena Horne

Lena Horne, in what appears to be the same studio.

WE to Altec memo
Mr. Robert Van Dyke thoughtfully provided us with this announcement from Page 10 of the November 1949 issue of Audio Engineering, in which we see the exact date of the change of responsibility for selected audio products from the Western Electric Company to the Altec Lansing Corporation.
Gladys Knight

Gladys Knight in 1954 at the age of nine or ten, and already with The Pips.

The Altec 639B
The Western Electric 639 is equipped with a ⅝-inch, 24 tpi thread, while contem­porary mic stands carry a ⅝-inch, 27 tpi thread. In order to preserve the original Western Electric thread, an adapter is required, such as the types seen below.

A dual-thread adapter with its cable slot facing away from the camera.

Detail view

The slotted adapter provides a means to stand-mount a 639 sans yoke.


The microphone’s cable emerges via the adapter’s slot.

Type 91 stand
Another type of adapter is equipped with a ⅝-inch, 24 thread on one end, and a half-inch “pipe thread” on the opposite end. This makes it possible to mount a Western Electric 639 microphone onto an RCA Type 91 stand as seen here, or onto any other half-inch stand or boom. Additional images of this adapter can be seen below.
Half-inch adapter
Unlike contemporary mic stands equipped with a ⅝-inch, 27 tpi fixture, these adapters accommodate half-inch “pipe” mounts on one end, and a ⅝-inch, 24 tpi thread on the opposite end, matching certain Western Electric microphone mounts.
Half-inch adapter
Alternate view of this adapter. My best guess is that Western Electric (or Altec-Lansing) manufactured these to accommodate broadcasters who already had half-inch “pipe thread” mounts in place for their RCA 44 and 77 mics, and who wanted to use the 639 mics in the same locations without modification.

The following five photos are courtesy of Dennis Schrank.

Western Electric birdcage

Western Electric birdcage

Western Electric birdcage

Western Electric birdcage

Western Electric birdcage

Western Electric 639A users guide

Download this Model 639A users guide.
Formatted to print at 8½ by 11 inches.
Twelve pages, 1.8 megabyte pdf

Patent cover

Download the patent for this mic.

Jack specifications

Download the Operating Instructions for these mics.
Condition is fair. Includes jack wiring diagram.


Download the specification sheet for these mics.

Instruction Bulletin

Download the Instruction Bulletin for these mics.


Download the 1940 Electronics review of the 639B.

Courtesy of Ellis Dawson.

Altec logo



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